“It was initially the plot for the first game,” she says, “but when I started looking at it, I felt I needed to go back further in the characters’ history.” Now, having told how a New Orleans pulp-novel writer, bookstore owner, lady’s man, and general layabout named Gabriel Knight became a “Schattenjäger” - a “shadow hunter” of things that go bump in the night - she was ready to send him to Germany to face The Beast Within. She’d developed a fascination for all of these subjects when she’d spent nine months living in Germany just before coming to Sierra. In fact, she already knew exactly what she wanted the second story to be: a tale of werewolves, Richard Wagner, and Ludwig II, the (in)famously eccentric last king of an independent Bavaria. In January of 1994, just six weeks after the first Gabriel Knight game had shipped, Jane Jensen was told to get busy writing the second one. There was no question whatsoever about a sequel. Rather than remaining an outlier in the company’s catalog, it bent Sierra’s whole trajectory in its direction, as Ken Williams retooled and refocused on games that could appeal to a different - and larger - demographic of players. At the end of that period of time, Gabriel Knight: Sins of the Fathers was a hit, garnering vive la différence! reviews and solid sales from gamers who appreciated its more sophisticated approach to interactive storytelling. What a difference a year and a half can make. “But I wish you’d come up with something happier!” When Jane Jensen first said that she would like to make a dark-tinged, adult-oriented mystery of a Sierra adventure game, revolving around an antihero of a paranormal detective named Gabriel Knight, her boss Ken Williams wasn’t overly excited about the idea. Personally, I’ve never been one to imagine small things.

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